![]() What I'd really like is a digital sensor with rear movements - it actually wouldn't be that hard to engineer, especially on a mirrorless system. Focus stacking is slow to expose - though some software will automatically rack the lens around for you, and in macro distances you can use a macro rail shift lenses have a single exposure, but setting them up takes a bit longer. This is how I've used tilt lenses in the past - but on a camera with a pentamirror, it's a bit painful because of dimness.Īs Ilkka says, tilt lenses don't give infinite DoF, they just rotate the focal plane. I still wish (and will implement if I ever get to hack the BIOS) that there was a way to split live view into quadrants, positioned independently - that would allow my ideal solution of setting the tilt approximately and then waving the camera around to achieve focus. Live view is a significant help here, though a really solid tripod helps when adjusting things. I believe there are issues with shifting some lenses that clash with the camera housing on smaller cameras, but that may not be much of an issue for tilt. In general I think for landscapes where you have trees at different distances, focus stacking with manual blending is what would work usually, usually tilt would not be the right tool to use for that. I have some focus stacked landscapes but unfortunately I haven't posted them in a gallery. To higher resolution than would be possible by stopping down instead of tilting. However, some cases are easy to handle with tilt: I posted that to illustrate the problematics of tilt and stacking. Here focus stacking would not help at all as the movement of the leaves would put them completely in a different position from shot to shot. But with tilt the shutter speed could be increased, leading to increased sharpness in the leaves that are floating with the water. Actually I might be able to do it with a bellows but it's difficult as the 200mm lenses should be supported from the lens mount to be safe, and the bellows needs separate support so it gets complicated. Here is a shot which was made with a 220mm lens at a fairly small aperture (f/11 if I recall correclty) the subject (leaves on water) could have been gotten in focus using tilt if I had had a 200mm tilt lens but I don't. Focus stacking (either by hand drawn layer masks or using automated software) can be used to solve some situations where tilt won't help, for sure.īoth techniques take a lot of practice and skill to perfect. I use tilt where it helps, usually it is for ice and flower shots in particular it's possible to get the sea ice into focus from near range to infinity, also it can be used to get two flowers into focus even with a wide aperture so as to create nice out of focus blur. But for landscape I guess this isn't as much of a problem though three movement can create problems. Sometimes also the scene doesn't stay still long enough to capture a sequence of shots, this is true of many macro situations. Focus stacking does produce artifacts which you need to deal with usually by manually editing the image in photoshop, and a lot of the time it may not be possible to get a completely artifact free result. But a lot of the time the subject isn't a tilted plane and so stopping down and/or focus stacking may still be needed, but then the tilt can help reduce the number of exposures needed in the focus stacking process. Sometimes tilt can help you achieve a shot where everything or most of the interesting parts are in focus in that case without needing to use more than one exposure to achieve the final result. when photographing ice or plants on the ground at an angle. What it is useful for is when the subject is approximately a plane but is not perpendicular to the optical axis. Tilt won't help you at all with a scene like that.
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Why we picked the Samsung LSP9T Premiere Projector: Who it’s for: Those who use voice assistants in their smart home, and those who prefer a compact image. Why you should buy this: It offers a bright, vivid image plus smart home features. although it won't deliver nearly as well in bright rooms. With a lamp that should last 4,000 hours at normal use (10,000 in SmartEco mode), the BenQ CinePrime HT5550 should last through years of playback, and with an image quality this good, you won’t be thinking about an upgrade for a very long time. Though the HT5550 isn’t designed to be portable, it is lightweight enough to do the job, should you want to put together pop-up viewing events, and a quick and easy setup process makes it equally agile if you plan on toting it between locations every so often. The HT5550 also boasts a dustproof lens hood, 1.6 zoom option, 2D lens shift, and other excellent AV features with image support up to 300 inches. Additionally, this dynamic color and contrast make the HT5550 ideal for authentic viewing in dark rooms, allowing for that true movie theater experience. Great picture quality is at the heart of the HT5550, which delivers 4K resolution, vivid 1,800-lumen brightness, and support for HDR10/HLG as well as Benq's own HDR-Pro.īut where cinephiles might be most interested is in the projector's DCI-P3 color gamut and CinematicColor tech, which is designed to closely reproduce the colors of the Hollywood film industry. Who it’s for: Film fanatics who want a well-priced projector with color accuracy that's as close as possible to film industry standards. Why you should buy this: It sports 4K UHD resolution, HDR support, and movie modes optimized for dark theater rooms. It even has a USB power port, which provides juice for external players and phones alike.įinally, the UHD55 comes with a vast array of color modes out of the box, including hyper-accurate Cinema and Bright modes, each of which is catered toward a different type of content. Two HDMI ports ( HDMI 2.0 and HDMI 1.4), VGA, and optical connections mean that you'll be able to easily connect the projector to everything under the sun, including older computers and modern streaming devices and sticks. Playing at 4K isn't too shabby either, with 60Hz refresh and 15 ms response time, allowing gamers to choose their priority - speed or gobsmacking resolution. PC gamers, in particular, will be treated to the UHD55's Enhanced Gaming Mode, which delivers a 240Hz refresh rate and low latency 4 milliseconds response time when playing at 1080p resolution. With 3,600 lumens of brightness - plus support for HDR 10 and HLG - the UHD55 will take anything you throw at it and reproduce it with breathtaking clarity, especially games. The UHD55 also supports Alexa and Google Assistant. You can also mirror Android, iOS, Windows, MacOS, and Chrome devices. The built-in media player allows you to play videos from a USB stick, while Optoma's own app store gives you access to apps like Netflix, Spotify, and YouTube. Officially referred to by the company as the "4K UHD gaming and home entertainment projector," the Optoma UHD x 2160 UHD resolution and astonishing color, to take your favorite films and TV shows and project them in optimal 120-plus-inch glory (to a maximum of 302 inches). If you want to experience insane refresh rates while gaming and theater-like quality in your living room at an affordable price, there is no better option than the Optoma UHD55, in our opinion. ![]() Who it’s for: Gamers and film enthusiasts who want the best possible image quality for the money. Why you should buy this: It offers 4K resolution, a 240Hz refresh rate, and gorgeous color for the price. ![]() Once you've finished with the selection, press Control-J to cut out and paste the selection. You can add a selection using the Shift key or remove it using Alt to make a more precise selection. It can be also a great tool to remove or add some parts of the selection. How to Cut Out an Image in Photoshop Using the Lasso Tool Step 1Īnother way to make a precise cut-out Photoshop effect is with the Lasso Tool. Select the part of the image which you want to cut out, and then go to Layer > New Layer > Layer via Cut/Copy, and voila!Īs you can see, this cut tool Photoshop technique can be useful for creating avatars for social media. Select one of these tools in the Tools panel. This selection method is rough, but sometimes it can be useful for some design purposes. How to Cut Around an Image in Photoshop Using the Rectangular/Elliptical Marquee Tool Step 1Īnother cut tool Photoshop provides is the Rectangular Marquee Tool-or you could also use the Elliptical Marquee Tool. You can do it the following way: press Control-C (or Control-X), and then create a new document and paste your image ( Control-V). Once you've finished with the selection, we are ready to cut this image out. Choose one of these tools, and then add or remove part of the selection as you need using the Shift and Alt keys. To make your selection more precise, we can use the Lasso Tool or the Quick Selection Tool. Open your image in Photoshop and go to Select > Subject, and then wait a few moments.Īs you can see, our selection is almost ready now, and we can easily cut out the photo in Photoshop: Step 2 Let's try one of the easiest and most effective methods to cut out a Photoshop image. How to Cut an Image in Photoshop With a Subject Selection Step 1 If you want to learn how to cut something out in Photoshop via video, check out our lesson on the Envato Tuts+ YouTube channel :ġ. How to add a simple retro effect to the image that you cut.How to cut out a picture in Photoshop using a layer mask. ![]() How to cut an image in Photoshop using a color selection.How to cut out a picture in Photoshop using the quick selection tool and magic wand tool.How to cut out part of an image in Photoshop using the lasso tool.How to cut an image in Photoshop using the rectangular/elliptical marquee tool.How to cut out an image in Photoshop using the subject selection method.What You'll Learn in This Photoshop Tutorial Mint isolated on white - no longer available.Close up smiling young black guy in red sweater.Let's get started! Tutorial Assetsīefore learning how to cut out part of an image in Photoshop, I want to show you which assets were used during the production of the tutorial: Then I'll teach you how to add a simple retro effect to the image that you cut. Today I'm going to show you how to cut out an image in Photoshop using a few simple techniques and standard Photoshop tools. Stress is your biggest problem in Darkest Dungeon II, especially in this battle-if your characters start having Meltdowns, they'll lose any relationship bonuses they had and lose almost all of their health. You're going to want to pack any Trinkets, abilities, and Combat Items that can give you protection from Stress damage, as most of the locks' attacks will also mess with your characters' minds. In all cases, if you've got Stun attacks, you probably want to lay off them altogether. The Bolt of Lamentation can easily be made to Bleed and Burn, and the Shackle of Despair is weak to Bleed, but both Blight and Burn will likely be effective as well. The Latch of Regret is weak against Blight and Burn. For the first enemy, the Padlock of Wasting, Debuff attacks are a good idea, but you're mostly going to want to lean on strong melee strikes, as others are a lot less effective. The numbers give a good sense of how you want to focus your attacks.
![]() “Is that coffee you have there? Then find my cup and fill it, there’s a good fellow, and I’ll owe you a glass of grog.” “Ay, you black demon, I it was,” answered I. “Who’s dat axin’ for Brack Petah? Was it you, Mistah Courtenay?” And at the same instant the shining, good-natured, grinning visage of a gigantic negro appeared in the narrow doorway, through which the fellow instantly passed into the berth, bearing a big pot of steaming hot coffee. The lad was turning away to do my bidding when a pattering of naked feet became audible as their owner approached, while a husky voice ejaculated. “All right, young ’un there’s no occasion to make all that hideous row! Just see if you can make yourself useful by finding Black Peter, will you, and telling him to brew some coffee.” frigate Althea, instantly awoke me to the disagreeable consciousness that my watch below had come to an end, especially as the concluding portion of the harangue was addressed to me personally, and accompanied by a most uncompromising thump upon the side of my hammock. These words, delivered in a tone of voice that was a curious alternation of a high treble with a preternaturally deep bass-due to the fact that the speaker’s voice was “breaking”-and accompanied by the reckless banging of a tin pannikin upon the deal table that adorned the midshipmen’s berth of H.M. “Eight bells, there, sleepers d’ye hear the news?-Rouse and bitt, my hearties! Show a leg! 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We finished it off on the last morning of our trip, just before leaving heavenly Boulder to return to Santa Fe. The second selection, a pear bread pudding with butterscotch sauce, we wrapped up to take to our motel room. The dark chocolate pot de crème, enlivened with a dash of New Mexico red chile, we ate at the table. It arrived with a mound of fluffy mashed potatoes, flavored intensely with bits of lemon, the perfect counterpoint to the spicy meat mixture.Įven though we were stuffed already, we ordered two desserts. For the second entrée we debated between several options on the regular menu, including grilled trout and an arugula-pesto pasta, but ultimately chose the chipotle meatloaf. ![]() On a cool spring evening we started with two warming appetizers, a cup of lamb posole (like a southwestern hominy stew) and a Utah goat-cheese fondue with house-baked crackers and dried local fruit.įor one of our main dishes we decided to try the daily special of shredded-beef enchiladas topped with Monterey Jack cheese and a generous ladling of green chile cream sauce. Our dinner was simply splendid in all respects. We made a long detour to enjoy the cooking again, having visited once before five years ago. The Mormon servers don’t drink wine themselves, of course, but Blake and Jen give them samples to sniff so they can describe a wine’s aroma to customers. They chose the town because it offered ample space for a kitchen garden-now supplemented by a full farm-plus locally raised meat, considerations most chefs ignored at the time.īlake and Jen thrilled the residents so thoroughly with their food and their respectful character that the town council actually awarded them a liquor license to sell wine with meals, an incredible accomplishment in a small Mormon community. Just ask the United States Postal Service, which kept using mules to bring in the mail later than in any other area.īlake Spalding and Jennifer Castle came to this wilderness wonderland 10 years ago to open a restaurant, the Hell’s Backbone Grill, named after a prominent local landscape feature. For dessert, we recommend the dark molasses gingerbread with butterscotch and fudge toppings.Despite being right in the center of the country’s most majestic natural glory, Boulder is as remote as any spot in the nation. The waitstaff performs a well-orchestrated dance, as servers refill mint-leafed water and provide cracked-pepper biscuits with sage butter. ![]() The rib-eye steak, though nicely seasoned, is substantially fatty, but we do suggest the chipotle meatloaf. Even the Moqui macaroni and cheese has flair, thanks to the spunk of green chilies. Every preparation is surrounded by a potpourri of fresh vegetables-spaghetti squash, Jerusalem artichokes, heirloom tomatoes and chunky mashed potatoes. The menus are a stockpile of organic meats, farm-grown organic vegetables and fruits picked from the restaurant's own farm and greenhouse, whipped into creative dishes that seem more improvisational than by-the-book. The main dining area, surrounded by bay windows, showcases the Red Rock Canyon country of Hell’s Backbone on the way to Grand Staircase Escalante. ![]() This enchanting restaurant at the edge of tiny Boulder, Utah, is one of those places that you'll need to search out-and we recommend that you do just that. ![]() At the top of the second-highest peak ( Monte Cavo) was a temple to Jupiter Latiaris, where the Latini held state functions before their subjection to Rome, and the Romans subsequently held religious and state ceremonies. In its center is a crater lake, Lacus Albanus ( Lago Albano), oval in shape, a few km long and wide. The earliest known Latium was the country of the Latini, a tribe whose recognised center was a large, dormant volcano, Mons Albanus ("the Alban Mount", today's Colli Albani), 20 kilometres (12 mi) to the southeast of Rome, 64 kilometres (40 mi) in circumference. ![]() Consequently, Latium is home to celebrated works of art and architecture. Latium has played an important role in history owing to its status as the host of the capital city of Rome, at one time the cultural and political center of the Roman Empire. The ancient language of the Latins, the tribespeople who occupied Latium, was the immediate predecessor of the Old Latin language, ancestor of Latin and the Romance languages. The modern descendant, the Italian Regione of Lazio, also called Latium in Latin, and occasionally in modern English, is somewhat larger still, though less than twice the size of Latium vetus et adiectum, including a large area of ancient Southern Etruria and Sabina. The name Latium was thus also extended to this area south of Rome ( Latium adiectum), up to the city of the ancient Oscan city of Casinum, defined by Strabo as "the last city of the Latins". The latter saw the creation of numerous Roman and Latin colonies: small Roman colonies were created along the coast, while the inland areas were colonized by Latins and Romans without citizenship. Subsequently, Rome defeated Veii and then its Italic neighbours, expanding its dominions over Southern Etruria and to the south, in a partly marshy and partly mountainous region. The right bank of the Tiber was occupied by the Etruscan city of Veii, and the other borders were occupied by Italic tribes. It was located on the left bank (east and south) of the River Tiber, extending northward to the River Anio (a left-bank tributary of the Tiber) and southeastward to the Pomptina Palus ( Pontine Marshes, now the Pontine Fields) as far south as the Circeian promontory. You may delete this file once you've updated to version 5 and things are running smoothly.Latium was originally a small triangle of fertile, volcanic soil ( Old Latium) on which resided the tribe of the Latins or Latians.
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In Sievert’s own words: “These arrangements are part of a substantial multiyear investment to adopt best-in-class practices and transform our approach.” Which may leave many of the 54 million-plus Americans, whose driver’s license numbers are now for sale in lots on the dark web, wondering why “best-in-class practices” weren’t already part of T-Mobile’s approach.Īdditionally, T-Mobile is offering victims two years of McAfee ID Theft Protection services on the house, while promoting their own Scam Shield as part of an ongoing consumer “scam awareness” campaign. Long-term, T-Mobile is now working with both Mandiant and KPMG LLP on getting their cybersecurity up to snuff. ![]() ![]() Besides resetting pay-as-you-go user PINs and reaching out to the millions of past (and future) T-Mobile customers whose SSN were swiped, T-Mobile has taken some immediate steps that CEO Sievert outlined in his official mea culpa 1 on the T-Mobile blog. Since the mammoth mid-August attack, T-Mobile has been in full damage control mode. For former and prospective T-Mobile users whose data got filched - all 40 million of you - expect a call from T-Mobile in the next couple of weeks. (Check out now if you haven’t already.) If not, assume the worst. If you somehow managed to escape the hack, you’d already know: T-Mobile put a banner up on your account page. No Sprint prepaid or Boost customers seem to have been looted. The cybergrinch responsible stripped T-Mobile prepaid user account info, too, all the way down to the PIN, which T-Mobile has proactively reset for all primary account holders. “Brute” is actually apt here because the T-Mobile cyberattack was indiscriminate and massive, gobbling up even the data of past and potential customers, including T-Mobile Metro account holders. Once inside, Binns used brute force to tunnel into millions of user accounts. They’ve also figured out how he got in: through T-Mobile’s testing environments. T-Mobile CEO Mike Sievert says that with the help of the cybersecurity experts at Mandiant, they’ve at least identified the bad actor (reportedly a 21-year-old American named John Binns). About the only thing the fraudsters didn’t swipe were credit card details. The gargantuan data breach compromised nearly 55 million current, former, and prospective customer accounts - and not just usernames and passwords. T-Mobile, the global telecommunications giant, had been hacked. Continued abuse of our services will cause your IP address to be blocked indefinitely.A little over two weeks ago, the news dropped like a bomb. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior. Overusing our search engine with a very large number of searches in a very short amount of time.Using a badly configured (or badly written) browser add-on for blocking content.Running a "scraper" or "downloader" program that either does not identify itself or uses fake headers to elude detection.Using a script or add-on that scans GameFAQs for box and screen images (such as an emulator front-end), while overloading our search engine.There is no official GameFAQs app, and we do not support nor have any contact with the makers of these unofficial apps. Continued use of these apps may cause your IP to be blocked indefinitely. This triggers our anti-spambot measures, which are designed to stop automated systems from flooding the site with traffic. 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Thundering Fury: 2 parts: Increases Electro damage by 15 percent.It increases Elemental Skill and Elemental Burst DMG by 24/30/36/42/48 percent, so fully upgraded it can make your whole party crackle with Electro power. The Stringless: This bow brings out Fischl's Electro power, and so is the obvious choice for Support play.Whether you see her as a supporting star or a utility DPS party member, these builds will help you get the best out of her. However, due to her access to several AoE attacks, rapid fire arrows, and her ability to aim her shots precisely, she's also well equipped for both crowd control and taking on tough bosses. Genshin Impact Fischl build: Example set upsįischl is probably best as a Support fighter, able to deal constant Electro damage through her abilities and Oz, while other party members better suited to the DPS role deal with most of the fighting. Evernight Raven: Oz can remain in battle for two seconds more, dealing 30 percent of Fischl's attack as Electro damage when any party member attacks.Against The Fleeting Light: Midnight Phantasmagoria's level increases by 3.Ending this attack also regenerates 20 percent HP. Her Pilgrimage Of Bleak: Midnight Phantasmagoria deals 222 percent of Fischl's Attack stat as Electro damage.Wings Of Nightmare: Nightrider's level increases by 3.Devourer Of All Sins: Nightrider's attack gets a 200 percent boost, with a 50 percent boost to AoE range.Gaze Of The Deep: Even when not active, Oz adds 22 percent damage to any target Fischl hits.Mein Hausgarten: Fischl gets a 25 percent reduction time for Mondstadt Expeditions. ![]() Lightning Smite: Any Electro elemental reactions which occur when Oz is present cause Fischl's Attack to deal an extra 80 percent Electro damage.Stellar Predator: Hitting Oz with a fully charged Aimed Shot causes Electro AoE damage, worth 152.7 percent of the Aimed Shot's regular damage.Genshin Impact Diluc build (opens in new tab) : Boost the DPS stalwart Genshin Impact Venti build (opens in new tab) : Optimise the archer ![]() Genshin Impact build (opens in new tab): The best overall setups Once the Burst is over, Oz remains in the battle in Nightrider form for 10 seconds. Any enemies Oz makes contact with take Electro damage. Using the ability again while Oz is still present will recall the bird to Fischl's side.įischl and Oz become one, with the player now controlling the swooping bird, who gets a Speed increase. ![]() Oz will then fly around nearby enemies to attack them. Plunging Attack: Fischl slams down, causing non-elemental AoE damage.įischl summons Oz, her trusty raven, which deals Electro damage within a small AoE.Charged Attack: Fischl charges an Aimed Shot with Electro damage.Normal Attack: Fischl deals five consecutive non-elemental strikes. ![]() You need to find a balance, while also learning how to combine her various abilities to keep Oz in play for as long as possible. By the same token, getting too close isn't the job of an archer. Since he causes AoE damage, you don't want Fischl's vantage point to be too far away. Fischl's real ace is her bird sidekick, Oz. |
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